Each story segment is introduced by the narrators in both English and Chinese and performed in front of a Disneyesque technicolored backdrop, which did not always complement the dance and the costumes. The male stories deal with imperial guards, martial arts, strength and dignity, but there is also a humorous monastery tale called “ Joyful Little Monks.”Īnd both men and women turn and spin in a characteristic way, with arms working like windmills, imparting tremendous momentum to the rest of the body. The narrators explain that these moves, often associated with acrobatics, actually originated in dance. With practiced ease, they tumble and leap, summersault, cartwheel and fly through the air. SHAO SUAN HSU HSANG FU () 1 SHEN YUN ZEN 1 YEN TU - HE HSIA SHUN CHING () 1. The men, on the other hand, play rougher. JACKSON CHIN YUN PENG ( WDR ) 2 KA0 CHUNG () 1 () 1 TSAO. In a similar piece also by Ren, “Lotus Leaves,” the dancers wield huge soft fans. A particularly beautiful classical number is Michelle Ren's “Sleeves of Silk,” an all-female segment that incorporates very long sleeves to create swirling aerial patterns as the women glide gracefully about the stage.
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